In honor of the 60th anniversary of the March on Washington for Jobs & Freedom, the Student Unions & Activities’ Arts & Culture Committee and the College of Liberal Arts will host a ‘Dream’ Art Exhibition on August 17 - Oct 1 in the second-floor gallery of Coffman Memorial Union, and Sept 1 - Oct 13 in the Larson Art Gallery at St Paul Student Center.

The exhibition showcased artworks from local artists inspired by Dr. Martin Luther King, Jr.’s famous dream, and the impact the historic March had on our country and world. The March drew thousands of people, including artistic and cultural leaders of all kinds. This exhibition taps into that energy and inspires all who view it to continue to reflect on the impact and legacy of Dr. King’s dream.

View the virtual gallery here: https://docs.google.com/presentation/d/1xGM6IDjcfzDdFY1inunynSqUFhnzgkYSPULkXXKwWx4/edit#slide=id.g277c898c233_0_0

About the artwork:

Yellow Bone

This piece is called “Yellow Bone”. *The term “Yellow Bone” has

gained popularity amongst (young) black people and it is used in

everyday conversation when referring to light-skinned black people. This

term seems to appear everywhere, on Instagram, Twitter, and

Facebook is used to describe people and is also used as a hashtag. The

term yellow bone is used as a supposedly positive description and

reference to black people who have light skin.

This term is used heavily in hip-hop when referring to a ‘desirable’

woman or in rap artists’ names like ‘Lightskin Keisha’, Pretty Yellow,

Latto (formerly **Mulatto), and the list can go on.

*This term is rooted in White supremacy. This term especially given to

or used by a Black woman is a compliment as it gives them either

subconsciously or consciously proximity to ‘whiteness’. It reveals how

racism as a system of oppression can function without white people

present because black people have been thoroughly schooled on how

to be racist to each other. Black people who use the term yellow bone

have internalized white supremacy notions of beauty.

This piece was a hodge-podge inspired by Black women, specifically

in the music industry who have changed this physical appearance

either by surgery, makeup, or hair extensions to give them the illusion

of ‘desirability’. The hair on this piece is a veil. The blonde extensions

on top cover the afro-textured hair on the bottom (like how a weave is

usually done as a protective style in most cases, a shield for others).

The ‘last’ phenotypical resemblance of a Black woman is the hair.

Everything else is being modified to fit into a white supremacist gaze.

*Source queerconsciousness.com, White Supremacist Roots of “Yellow Bone” by

Lwando Scott

**This term is derogatory hence why she changed it to a more marketable name

Mixed media, magazine collage, acrylic paint, (faux) afro hair, synthetic blonde

hair, faux lashes, heavy-weight paper, faux lashes

Available for purchase here:

Available for purchase here:

Blue Black

This piece is called “Blue Black”. It’s inspired by black people who are very dark in complexion almost looking ‘blue’. I took it literally by painting her in blue hues. She is reminiscent of the ‘Jim Crow’ era caricatures. The background is a collage of images and quotes that resonated with me. A few quotes are from Claudia Ranke’s book ‘Just Us’ and quotes from black women from an issue of Essence magazine.

Her hair is adorned with cotton (decorations I bought from Michaels that were marked as Xmas decorations 🥴) as it has strong ties to the Black/African American population in America.

This piece is a rework. I found the original painting at Savers. I was in awe of the handcrafted detail the frame had. The original painting was built into the canvas so my only option was to paint over it. Please see ‘Honoring Our Roots’ under the ‘Practice"‘ tab for more details on this piece.

Blue Black is 12x16”.